All Good Things
Friday, March 9, 2012
Porn distrib New Frontier will get takeover bid
Boulder, Colo.-based New Frontier Media, a high porn distrib, stated it's received an unrequested takeover offer from investment firm Longkloof Limited, that has agreed to acquire outstanding shares for $1.35 each. The board stated it's created a committee to judge the sale from Longkloof, that is located in the Funnel Islands and is the owner of 15% of recent Frontier already. New Frontier, that is almost a penny stock investing, saw its shares spike nearly 16% to $1.31 on Friday. Within an open letter to New Frontier, Longkloof stated the organization has declined to take part in constructive dialogue despite numerous attempts "in the last couple of days to take part in significant discussions together with your regarding our curiosity about obtaining" the company. It chided the board for which it known as a "dismal record" that saw the stock sink from a lot more than $9 5 years ago. New Frontier's assets range from the Erotic Network, a pay-per-view service with six channels and Penthouse TV, so it distributes. Contact the range newsroom at news@variety.com
Friday, February 24, 2012
Kate Gosselin: "I am Lonely"
Brittany Snow remains cast in NBC's new presidential pilot 1600 Penn. The comedy concentrates on most likely probably the most regular family in the world - who so occur to reside in the White-colored House. Snow may have... Discover More > Other Links From TVGuide.com American DreamsBrittany SnowJason WinerJohn Tucker Must DieJosh GadHairsprayModern FamilyHarry's Law
Thursday, February 23, 2012
'Bullets' aims for Broadway
Woodsy Allen is tuning up a stage version of "Bullets over Broadway," adapting his 1994 pic in to a musical that aims to land round the Rialto in 2013. Allen pens it using the script he co-written with Douglas McGrath. Show will incorporate period tunes within the 20's, the era throughout the Gotham-set story happens. Plotline follows a young playwright who must cast a mobster's talent-free moll within the latest play to have the ability to have the show produced. The 1994 Miramax film starred John Cusack, Jennifer Tilly, Chazz Palminteri and Dianne Wiest, whose perf just like a demanding diva acquired her an Oscar. Show's producers, Julian Schlossberg and Letty Aronson, create a practice of backing Allen's stage endeavors. Furthermore they produced this season's "Relatively Speaking," a trio of just one-functions that incorporated a seg by Allen, additionally to 1995 Off Broadway show "Dying Repel Functions," another range of one-functions that Allen brought. Further particulars about "Bullets" -- including casting, creative team and song list -- be set. Exact Broadway dates and theater will also be up in mid-air. Aronson is probably the producers of Allen's latest bigscreen outing, "Evening amount of time in Paris," that's up for four Oscars a couple of days ago. Contact Gordon Cox at gordon.cox@variety.com
Thursday, February 16, 2012
Settlement for 'Spider-Man: Turn Off The Dark'
The settlement, resolving a dispute over unpaid helming royalties on 'Spider-Man: Turn Off the Dark,' will see producers paying director Julie Taymor the full coin due for her directing duties on the tunerProducers of "Spider-Man: Turn Off the Dark" and the legit helmers' union, the Stage Directors and Choreographers Society, have settled the lawsuit SDC brought against "Spider-Man" on behalf of director Julie Taymor. The settlement, resolving a dispute over unpaid helming royalties, will see producers paying Taymor the full coin due for her directing duties on the tuner. Still pending is a lawsuit Taymor brought against the "Spider-Man" producers in November over royalties related to her writing contributions as one of the co-creators of the musical. The settlement also seemingly reps the first step of Taymor's official disengagement from the big-budget project, which struggled through a long, rocky preview period and creative turnover to become one of the top-grossing productions on the Broadway boards. Producers will pay Taymor her full weekly royalties -- in the range of $10,000 per week -- for her services as director of the Gotham staging of "Spider-Man," from the start of performances through the eventual end of the NY run, and will also shell out additional coin to Taymor if and when the production recoups. SDC has agreed that Taymor's directing services are officially completed and she'll have no further involvement in the show in that capacity, although the two sides also made an arrangement for compensation for future productions. Of the two legal actions, the lawsuit filed with the SDC had seemed the most likely to be resolved in Taymor's favor. Although the storyline and book of the tuner were altered significantly after Taymor exited the production, major chunks of the show's original staging -- which presumably originated with Taymor -- remain. A tougher battle seems likely over the compensation allegedly owed to Taymor as one of the original co-writers of the book, since much of the tuner's final product mirrors previously existing iterations of the "Spider-Man" story, including the 2002 Sony pic. That lawsuit was brought by Taymor personally, rather than through a union such as SDC. As part of the settlement, producers also agreed to drop litigation that questioned SDC's jurisdiction with regards to the production. Taymor and original choreographer Daniel Ezralow, as well as the more recent additions of helmer Philip William McKinley and choreographer Chase Brock, are all members of SDC. "The litigation between us is over, and we are hopeful that any remaining issues between the producer and Ms. Taymor regarding her role as author can also be resolved to the satisfaction of all," said SDC prexy Karen Azenberg. "We are very happy to have reached an amicable compromise with the SDC that will allow us all to move on," said Michael Cohl and Jeremiah Harris, both of 8 Legged Prods., in a joint statement. At the crux of the lawsuit was the falling out between Taymor and the producers that occurred in March 2011, after the much-delayed tuner had played nearly four months of previews and endured a highly publicized spate of performer injuries. Taymor had battled with producers as well as fellow members of the creative team, which included Bono and the Edge of U2, over creative changes to the ambitious, technically complicated musical. Once producers and Taymor parted ways last spring, new creatives -- including helmer McKinley, choreographer Brock and book writer Roberto Aguirre-Sacasa -- were brought on board to retool the tuner during an unusual three-week performance hiatus. The show then resumed perfs in its new version and opened in June. Although Taymor and producers made nice at the show's opening night, the subsequent lawsuits pointed to lingering acrimony. The still-pending suit over writing royalties spawned a countersuit by producers. No timeline for that ongoing litigation has yet been firmed up. Contact Gordon Cox at gordon.cox@variety.com
Friday, February 3, 2012
Variety to create Russian edition
Variety is beginning a monthly Russian edition together with Planeta Inform, utilizing the requirement of industry info inside the world's fastest-growing areas. The initial edition will bow in March. Variety Russia will publish in Russian too as with British throughout worldwide industry occasions, and will also get to 25,000 entertainment and media professionals in film, TV and advertising across Russia as well as the CIS. The monthly magazine will probably be supported having a weekly Variety Russia email e-e-newsletter with regional news. Catherine Mtsitouridze will probably be editor-in-chief of Variety Russia. Mtsitouridze has offered as Boss of industry org Roskino, art director in the Russian Pavilion in Cannes, and he or she can be a journalist for Russia's Funnel One broadcaster. Theatrical box office in Russia assigned $1 billion the first time this season, growing 20% in the prior year. The publication seeks to fill a gap by delivering info for your region's entertainment leaders. Variety leader Neil Stiles mentioned, "The launch of Variety Arabia this season now Variety Russia the coming year allows us the opportunity to improve our coverage of individuals worldwide industries although concurrently delivering a close voice with extended national coverage to individuals emerging regions." Variety editor-in-chief Tim Gray mentioned that in the last a long time, Variety remains verifying round the amazing growth and development of Russian entertainment which is effect in the world industry. "We understood time that it was appropriate for any Russian-language version and possess found terrific partners, who know the connection among Variety, the world business as well as the local industries," Gray mentioned. Variety's London office, according to staff in Russia as well as the CIS regions, will manage methods together with Planeta Inform which is Boss, Dmitry Litvinov. Planeta Inform is experienced in film and tv marketing. "Television, filmmaking and show business are rapidly developing in Russia, and so the curiosity about industry business particulars are growing," Litvinov mentioned. "Our primary goal is always to make Variety Russia the key factor way to obtain information for individuals media industry players, essential-have magazine for professionals in the region.In . Contact Variety Staff at news@variety.com
Wednesday, January 25, 2012
Institut Lumiere honours 'Polisse'
MADRID -- "Polisse," directed by French actress-switched-helmer Maiwenn, has won the Lumiere Institute's eighth Jacques Deray Prize, an award created with the Lyon Institute's director Thierry Fremaux, also Cannes general delegate. Named following a Gallic director of 1970's small-time gangster movie "Borsalino," with Alain Delon and Jean-Paul Belmondo, the plaudit is provided to films created in France's extended and illustrious "policier" tradition of crime thrillers, cop dramas or film noirs. Among France's large 2011 breakouts, gritty ensemble drama "Polisse" puts a modern day spin round the genre, focusing on cops your Parisian Child Protection Unit. "Polisse" is produced by Alain Attal at Ces Productions du Tresor, the ambitious trendy production house behind Guillaume Canet's "Tell NobodyInch and "Little White-colored Lies." Growing in stature after an upbeat reception competing at Cannes, "Polisse" shown the next finest-grossing French movie of 2011, making Euros14.8 million ($19.2 million) after Mars Distribution topper Stephane Celerier made a decision to create the film last October around the bold 400-print run, advised by previews, concentrating on both inner-city theaters and mainstream multiplexes. Past award visitors include lots of France's most looked for-after company company directors your genre that's garnering good-to-great B.O. in your house, plus worldwide sales and remake deals abroad. Fred Cavaye, whose "Anything On HerInch was remade as Russell Crowe-starrer "The Next 72 Hrs,Inch won this season for "Point Blank" "The Artist" director Michel Hazanavicius needed home this year's plaudit for Jason Bourne lick "OSS 117: Lost in Rio," with "The Artist's" Jean Dujardin. Contact the number newsroom at news@variety.com
Tuesday, January 24, 2012
Kristin Chenoweth Heads to Hot in Cleveland
Kristin Chenoweth Cleveland will get even warmer. Kristin Chenoweth remains attracted onto guest-star inside an approaching episode of Hot in Cleveland, TVGuide.com has confirmed. Series executive producer Sean Hayes needed to Twitter Monday morning to announce Chenoweth's appearance, that's slated to air in May. Hot In Cleveland will receive a fourth season together with a spin-from the 43-year-old actress, who every once in awhile appears on Glee and may next star in ABC's GCB, will portray a pal in the women from L.A. who involves stick to them after separating along with her longtime boyfriend, a Beverly Slopes skin physician for the stars. The ladies must put the two back together again or face the potential for never getting another appointment while using exclusive physician again. Hot in Cleveland airs Wednesdays at 10/9c on TVLand.
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